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| Music Man Basses Chat about Music Man Basses |
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#31
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Quote:
See what I'm getting at?
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-Tom Bongo only bass in Tom's life. Blank-Plank Egyptian Smoke Bongo4H "Nefertiti" Charter Member of the Cliff Hugo Fan Club |
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#32
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why not offer the guitar player a case of beer to turn down his stage volume... least out-of-pocket expense I can think of (although it hasn't worked for me yet...)
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20th SR5 HH Rosewood Bongo 4HH Egyptian Smoke coming soon... Bongo 5HHp DDII - oh yeah, i'm stoked! Holdin' down the bottom end for over 10 years and still lovin' it!
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#33
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Tilt the guitar player's amp (or cabinet) so it's aimed right at his head.
Speakers directly on-axis are WAY louder. You can talk him into doing this by pointing out how much better it'll sound.
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bongoBbongoObongoNbongoGbongoObongo BP: "I am very proud of many of the creations at ebmm but none more than the Bongo. Every day the cult grows and it makes it all worthwhile." The Traffic Signal Series - Collect 'em all! Candy Red F23343 2008 5 H Desert Gold F13843 2005 5 HHp Envy Green F11166 2004 LE 5 HS Blue Dawn F11199 2007 LE 5 Hp fretless http://www.coolshoesband.com |
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#34
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I agree. I see my tone coming from the bass as this is a high fidelity instrument. Then a very clean and transparent amp like a Markbass to let all the glorious tone come through. I got rid of all my pedals...no need! I have my tone from my MM Sterling.
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Translucent Red 4H ![]() Coming Soon! Sapphire Black Bongo 4HH. ![]() Markbass CMD121H + Traveller 121H |
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#35
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I gave a Jazz bass to the first person that offered to pay shipping once.
![]() tk
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It is all fun. Cliff Hugo fan #1 |
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#36
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I have played the Classic at Guitar Center and I know there were many variables that were different but the immediate tone and power I got out of it compared to my 350 were huge. I played a SR5 as well as a Jazz bass and both sounded fantastic through it with very little tweaking. It's just that much better than what I have now. btw I'm not selling the SR5, I was heavily leaning towards not selling it anyway and I made this thread I think to confirm that leaning. In my ~12 years of playing bass, I came to find early that I am a fan of Ampeg. All the suggestions in this thread will be looked into, but they have a mountain to climb to jump ahead of the Classic at this point.
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ErnieBall MusicMan Stingray5 Honeyburst Conklin GT4 Ampeg SVT350H Ampeg SVT810HE Tech 21 Sansamp Bass Driver DI Planet Waves Chromatic Tuner Fender 1969 Thinline Telecaster Martin DCM Sigma DM-3Y |
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#37
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You need to investigate Peavey and forget about ampeg. The Peavey works equally well with any bass.
![]() Check ebay and you won't have to sell a bass to fund one either. tk
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It is all fun. Cliff Hugo fan #1 |
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#38
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Quote:
I'd still keep the SR5 and wait on the head. but then again, I'm playing in my living room.
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-Tom Bongo only bass in Tom's life. Blank-Plank Egyptian Smoke Bongo4H "Nefertiti" Charter Member of the Cliff Hugo Fan Club |
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#39
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My stingray, markbass and svt 8-10 is an incredible tone! And enough volume to keep two 100 watt marshall half stacks in check. Like I said earlier, the f1 only cost me $400 used on craigslist. The classic would look cool but you will have to get one of the guitar players to help hoist it up on your cabinet. The f1, I can lift by himself.
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bongo 5, markbass, ampeg, 120 volts, 6 fingers and a thumb... |
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#40
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One bass that you really love is the center piece of your rig. I would never sacrifice a bass for an amp. A great bass inspires you, it just feels like home when its in your hands.
A great sounding amp is all well and good, but its bassackwards to go amp at the expense of bass. IMO etc. |
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#41
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If you love your SR5, I wouldn't sell it. Save the cash ($800), and once you have it, sell the Conklin, and the 350 head and get what you want. My .02
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09 Dargie Delight II Stingray SR4 HH Slo Special "Gator" 11/24/09 09 Stingray HH Trans Gold Slo Special "Woody" 9/4/09 1991 Stingray MarkBass CMD 102P Combo with 151HR extension cab "Just Call Me Mr. Revolving Door- I run a foster home for basses" Visit me at www.Activebass.com: an old site with some cool people!! |
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#42
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true, the older Pro 500 or the tour-heads do sound very decent for the price. They are also a good backups.
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http://www.myspace.com/crapstarpunkrock bassic profile SR4 H black/rw since 1992 2009 Big Al SSS Olive Gold / Gold swirl 2009 SR5 HH bfr tobacco burst / all rw neck 2008 Bongo 5 HH egyptian smoke / phyton |
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#43
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http://www.myspace.com/tuffenuff MD JP7 born October 5th, 2007. S#=F19559 Egyptian Smoke Bongo 5HH born Septemer 25th, 2008. S#=22342 SOLD TO CELLKIRK74 on December 14, 2009. |
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#44
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Never ever sell your favorite instrument to buy a different piece for your rig. In your example, I'd rather sell two of the others than my favorite. That said, with "favorite" I mean favorite player/best sounding bass.
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StingRay Collection Essentials MarkBass F1, SansAmp RBI, MarkBass Standard 104HR; Minimark Holding down the bottom end for Skaramouche |
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#45
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Yes. When you're going thru a PA (which I know you said isn't all the time), the PA is what most people will hear. Most sound guys will want a pre-EQ (flat) DI signal anyway so the amp really isn't doing much other than giving you a monitor. 810's are fun, but also fun to sell. BTDT, twice now.
Even for the times you don't have PA support, most of the tone is in your fingers, then the bass, and then the other stuff. Don't sell the bass. Or your fingers.
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